World Premiere

CANNABIS!<br>A VIPER VAUDEVILLE

The directors of PROTOTYPE Festival have made the difficult decision to postpone this year’s tenth anniversary season to January of 2023.

A theatrical concert exploring the history of cannabis using music, dance, and spoken word grounded in the Hip Hop tradition of the remix and mashup. The team includes Grace Galu as composer/performer, Baba Israel as writer, performer, co-director, Talvin Wilks as dramaturg/co-director, and Nic Benacerraf as environment designer/associate director, in collaboration with hip hop and spoken word collective, Soul Inscribed, and an ensemble of dancers that includes members of the revolutionary Urban Bush Women, Tatiana Barber, and mesmerizing street dancer and krumper, Rocka Jamez. Inspired by Martin A. Lee’s book Smoke Signals: A Social History of Marijuana, CANNABIS! A VIPER VAUDEVILLE weaves the music of icons such as Louis Armstrong and Bob Marley with the stories of grassroots activists Dennis Perron and Brownie Mary with personal narratives. From Congo Square to the speakeasies of the jazz age, from the revolutionary happenings of the ’60s to the AIDS activism of the San Francisco buyers club, our time traveling tale invokes a tradition of rebel spaces — sites of music, healing, and resistance.

Commissioned, developed and produced by HERE

Additional support for Cannabis! A Viper Vaudeville is provided by the MAP Fund; the New England Foundation for the Arts; and made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

Composed and Music Direction by — Grace Galu
Libretto and Co-direction by — Baba Israel
Dramaturgy and Co-direction by — Talvin Wilks
Environment Design and Associate Direction by — Nic Benacerraf
Featuring — Soul Inscribed
DIVA — Grace Galu
MC — Baba Israel
Backup Vocals — Jonathon "Duv" Zagora
Backup vocals / dancers — Courtney Cook & Rocka Jamez
Dancers — Chanon Judson, Samantha Spies, Tatiana Barber
Keys — Robert Knowles
Saxophone / flute and arranged by — Sean Nowell
Drums by — Juan Carlos Polo
Bass guitar by — Owen Williams
Choreographed by — Tatiana Barber, Courtney Cook, Rocka Jamez, Chanon Judson, and Samantha Spies
Environment design by — Nic Benacerraf
Video design by — David Bengali
Light artistry by — Tuce Yasak
Costume design by — Kate Fry
Sound design by — Asa Wember
Stage managed by — Alex B. West
Production managed by — Carly Levin
Line produced by — Amanda Szeglowski & Remi Harris
Technical direction by — Ryan O'Hare
Head electrician & programming by — Marq Gonzalez
Associate lighting design & programming by — Rachael N. Blackwell
Associate projection design by — Jacqueline Reed
Video engineer — Matthew Deinhart
Video Operator — Katerina Vitaly
Assistant Costume design by — Raul Luna
Wardrobe supervision by — Kathy Karadza
Stitching by — Timmy Schues
Cultural Coordinator — Sam Morreale
Duration — 120 minutes with intermission

Team


Grace Galu

Grace Galu (Composer, Performer) is a vocalist, actor, guitarist and composer. She combines the sounds of her Irish and Congolese heritage and her LES upbringing in a soulful and gritty twist.. Grace was featured in Buskerball, and recorded “Firelight” with Fearless Music. Her composition, “Ordinary Sentiment” was featured in the Ed Burns film, “Purple Violets'' which premiered at the Tribeca Film Festival. Grace devised The Mendelssohn Electric with Trusty Sidekick, and was cast as the lead in their production, The Gospel Electric, commissioned by the Park Avenue Armory. She is a core member of the band Soul Inscribed, and was twice selected as a cultural ambassador for the American Music Abroad program. She has been selected as a cultural ambassador for their next residency program (2022). Grace is also a recipient of the NEFA NTP grant. Soul Inscribed has recently been signed to the music label, Tokyo Dawn and just released their EP, Tune UP. Grace is an artist in residence at HERE Arts Center and the composer for Cannabis! A Viper Vaudeville. Grace voiced Wisdom in Nia Witherspoon’s production, The Dark Girl Chronicles (2021 at The Shed).


Baba Israel

Baba Israel (Creator, Writer, Performer) is an artist, producer, educator, and consultant raised in New York by parents who were core members of the Living Theatre. He was Artistic Director of Contact Theatre in Manchester where he developed several festivals and productions. He was a resident artist at BRIC creating his latest multimedia performance The Spinning Wheel in collaboration with London-based company Unfinished Business. He is a core member of Hip Hop/Soul project Soul Inscribed, which recently completed the American Music Abroad program. He holds an MFA in Interdisciplinary Arts from Goddard College and is the Co-Artistic Director of the Performance Project based at the University Settlement. He is a proud member of HERE’s HARP program and is developing his current production, Cannabis! A Viper Vaudeville.


Talvin Wilks

Talvin Wilks (Director) is a playwright, director, and dramaturg. His plays include Tod, the boy, Tod, The Trial of Uncle S&M, Jimmy and Lorraine: A Musing, and As I Remember It with Carmen de Lavallade. Major directorial projects include UDU by Sekou Sundiata, The Love Space Demands by Ntozake Shange, The Shaneequa Chronicles by Stephanie Berry, This Bitter Earth by Harrison David Rivers, The Peculiar Patriot by Liza Jessie Peterson, and The Ballad of Emmett Till and Benevolence by Ifa Bayeza. He is a co-writer/co-director/dramaturg for Ping Chong’s ongoing series of Undesirable Elements and Collidescope: Adventures in Pre- and Post-Racial America. Dance Dramaturgical collaborations include six works with the Bebe Miller Company including Landing/Place for which he received a 2006 Bessie Award, Camille A. Brown and Dancers (Mr. TOL E. RAncE, BLACK GIRL: Linguistic Play, and ink), and Urban Bush Women (Hep Hep Sweet Sweet, Walking with ‘Trane, and SCAT!).


Nic Benacerraf

Nic Benacerraf (Environment Design, Associate Director) is a creative director, scenographer, and public scholar. He specializes in highly collaborative processes that incorporate design from the get-go. Nic was co-Artistic Director of The Assembly (Seagullmachine, HOME/SICK), and recently co-founded [ [ edge effect ] ], a transdisciplinary group that playfully deconstructs the techniques of mass persuasion in our everyday lives. His collaborators include Trusty Sidekick (Up & Away), The Living Theatre (Here We Are), Waterwell (GOODBAR), HERE (Looking At You), The New Wild (Everybody Is Gone), as well as arts/activist groups: The Brooklyn Commune, Calling Us In, and The Yes Men. Nic’s learning communities include Wesleyan (BA), CalArts (MA/MFA), and the CUNY Graduate Center, where he is a Mellon PublicsLab Fellow and is finishing a PhD in Theatre & Performance.

BY BETH MORRISON PROJECTS

bethmorrisonprojects.org